Despite this, its main drawback is that its Texloop process is focused on pre-consumer waste, meaning it cannot handle the billions of clothes that are worn a few times before being discarded, while there is a limited percentage of recycled content in the finished fabrics. But if you want to use recycled materials in your next collection then it is definitely one to investigate, being far better than the ubiquitous and nonsensical ‘recycled plastic bottles into fabric’ craze.
The company has produced over 700,000 kilograms of Rcot recycled cotton.
Rcot uses 99% less water and 54% less energy than conventional cotton.
The world produces 40 million tonnes of textile waste each year, while less than 1% of cotton is recycled.
Circular Systems’ use of pre-consumer waste means sourcing direct from textile producers, which improves its speed and ability to scale its recycling ecosystem while avoiding a number of sorting and processing issues. However, given the multitude of ethical issues relating to working conditions, this may create other risk exposures. And it also does not solve the bigger issue of post-consumer textile waste, created by fast fashion.
Due to the nature of its process, Rcot contains a maximum of 50% recycled content. Compare this to Evrnu’s NuCycl, Renewcell’s Circulose or Infinited Fiber Company’s Infinna, all of which break textile waste down to its cellulosic foundations, which means they can produce circular fibres with 100% recycled content.
The partnership with Tintex on its naturally dyed fabrics highlights a bigger issue – there is little point in choosing a ‘sustainable’ raw material, if that material is then finished with other unsustainable products. This does not just refer to dyes either, think about blended fabrics – which cannot be recycled or synthetic elements that impact a garment’s biodegradability at its end-of-life. Indeed, as a designer, you should also consider the wider system within, which your product will be consumed. Not just – can it be recycled – but will it be?