The company has invested considerable resources in order to provide insights on everything that can be known about a fabric without physically holding it, and ensures that what's made is being used. While some critics argue that selling deadstock encourages brands to over-source, Nona Source’s limited availabilities show this isn’t just another revenue stream for fast fashion.
People seek out the new for the thrill of something different, but it’s abundantly clear we have plenty of materials in existence already. To make deadstock feel like next season's must-have, designers should look beyond the season it stemmed from and experiment with new product activations and new category activations - perhaps translating a material from menswear into womenswear, activewear into evening wear, and so on. The task is finding ways to make what we already have feel fresh for both the designer and the consumer.
It's important we keep everything in circulation for as long as possible, and that includes the plastic-based, synthetic fabrics that are already sitting in warehouses waiting to be put to use. While it's far better for these materials to be used than destroyed, designers should treat deadstock synthetics as a finite resource by committing to never buying new ones again. With this mindset, we can wean ourselves off plastic fibres for good, and return to the natural fibres that have served us so well.